Any use of this site constitutes your agreement to the Terms and Conditions and Privacy Policy linked below. "Without Jews, Gypsies and homosexuals, there is no theater." Masks are required inside all of our care facilities. This is not the title role, but it has some of the best music and one of the most touching death scenes by Puccini, a specialist in soprano death scenes. This site complies with the HONcode standard for trustworthy health information: verify here. I think Maestro Levine will do that. >> Just the change of name from April to Aprile seems a bit>> silly. She gives the impression of a serious, dedicated artist who is keenly aware that she lucked out when her genetic dice were cast but knows exactly how to handle that luck. She is one a few - I think of Soviero immediately- who still knows what personality in the voice is all about. Treatments include: My sister has the same instrument, but she doesn't want to work on it, so she's an actress now -- Shakespeare. Millo, for as long as she can remember, has wanted nothing else than to follow her family into opera. "Most of the time I'm very shy," confesses Aprile Millo -- an unexpected problem, you might think, for someone who gets up on stage regularly and sings "Ritorna vincitor" in front of thousands of people. She reprised the role of Maddalena in 2002, with Domingo; and in 2007, with Ben Heppner. . -- Michael Black's Opera HouseMichael Black, Youngstown, Ohiohttp://www.stairway.bc.ca/bjorlingJussi Rules!!! With Susan Dunn suffering serious vocal problems, Millo need fear no significant challengers for the title of the world's leading Verdi soprano -- successor to such vocal heavyweights as Rosa Ponselle, Zinka Milanov and Renata Tebaldi in such roles as Aida, the two Leonoras (in "Il Trovatore" and "La Forza Del Destino"), Elvira in "Ernani" and Desdemona in "Otello.". A deviated septum temporarily changed her hearing, making her, she said, uncharacteristically cautious and leading to rumors of vocal problems. Aww. Also write down any new instructions your provider gives you. In January 1983 she had performances of Ernani at La Scala of her own. He has attended opera for decades, from Brooklyn to Bayreuth, and often both the music and the locations figure in his books. Besides teaching such AVA grads as Latonia Moore, Schuman has done mid-career tuneups for singers including Aprile Millo and the late Jerry Hadley. Similarly, Donizettis Me voglio fa na casa provided an additional showpiece for the still-shimmering beauty of her soprano as well as moments for Millo to swell in passionate volume, taking all of us with her. I am very glad to hear this news of Millo's continued recovery. rapturous press. Millo became interested in music at an early age and received her musical education primarily from her parents. Schuman had him back onstage and on the road to vocal recovery when he killed himself due to a troubled personal life in 2007 at age 55. Maybe we need a separate rec.music.sopranos.gossip. 2021; doi:10.1177/0145561320946153. Voice disorders are caused by a variety of reasons and affect the ability to speak normally. Ms. Millo, 60, who has rarely sung in public recently, says she still has her heart set on a return to the Metropolitan Opera, where she was among the reigning Verdi singers of the 1980s and 90s. Perhaps that's because I'm male. The human voice, over the chorus of over 100 VERY good singers, almost 100 orchestral players, in front of an audience ranging between 16,000 in Verona and 4,000 like at the Met or the Colon di Buenos Aires, and we are heard in a victory over today's need to shush everyone. Or purchase a subscription for unlimited access to real news you can count on. My time will either come or it wont. If I go out, I generally go out with at least three or four other people, maybe a couple or three gentlemen or something like that, so I'm fairly well protected . However, I thought she sang a terrific Desdemona in February of lastyear (not as pretty as Fleming's perhaps, but far more idiomatic, andfrom what I heard, just as ecstatically received by her fans), and I amvery happy to hear the news, courtesy of Mr. Jorden, that she was strongin this run of Ballo. Ms. Millo instead chose to enter the young artist program at the Met, where she studied, bided her time and found a champion in James Levine. Unanimously winning Primo Premio Grand Prize at the Concorso Voce Verdiane at 20 years old, she was launched onto the operatic scene. The audience, by the way, could also be vocal about other things. The audience took those inviting words to heart, living every moment of the recital. That involves managing damage left by less-sympathetic teachers. At 26, stepping in at short notice at the Metropolitan Opera, Millo made her formal debut with her mentor, James Levine and the Metropolitan Opera in a critically acclaimed debut as Amelia in 1984 in Simon Boccanegra. All rights reserved. Whatever Costello's daily vocal ups and downs, tonsil-related infections will no longer be a factor. The diversity of the program not only showed Millos incredible range, but also was nod to her mixed Irish-Italian heritage. And now? Matt Costello is an award-winning, international novelist and scriptwriter. The third diamond in the crown was the disciple of Carbone, the highly respected soprano and singing teacher, and wife of Maestro Giuseppe Patane', Rita Saponaro Patane' who after Millo's Mother and Father, was her only true singing teacher. Complete surrender.there is no fourth wall with Millo, you are in this together! She returned to Utah Opera in early 1981 to perform the role of Santuzza in Mascagni's Cavalleria rusticana. I find her a stylish(if occasionally mannered) actress in an old-fashioned style. (Ken Howard / Metropolitan Opera), California residents do not sell my data request. But it was another opera house that would be most connected with Millos remarkable career. --Linda B. FairtileAstoria, New Yorkta@bway.net. Her problems were lavishly documented several years ago in the magazine Opera Fanatic, which probably would have ignored the story if the central figure had not been Aprile Millo's mother. Aprile Millo is currently appearing at the Met in "Un ballo in maschera"(she was originally contracted to sing her first local Leonora in ""Laforza del destino", but, well, you know) The word on the street isthat she is somewhat better vocal shape than she has been for severalseasons. [5] The following year she debuted with the Bavarian State Opera as Leonora in La forza del destino and with the San Francisco Opera as Maddalena de Coigny in Andrea Chnier. [6] She appeared as Giselda for the Metropolitan Opera's first-ever performance of Verdi's I Lombardi, again with Pavarotti and Levine, in late 1993. > In an era of plastic sopranos, she's the real thing. Since joining the Met in the 1983-84 season, she has sung only leading roles. A car accident in Torino briefly sidelined Millo and forced her to cancel Caterina Cornaro in New York; she returned to the stage of the Metropolitan Opera in 1995 and 1996, playing Amelia (Simon Boccanegra) and Desdemona (Otello), opposite Plcido Domingo. You may feel a "lump" in yourthroat when swallowing, or feel pain when youtouch the outside of yourthroat. Even as the moody music played alone, she responded to its ebbs and flows as if a staged performance. . The skills he cultivates are simple. At least not for $40-$300. The vibration of those cords is what produces speech. She was here and there alittle cautious, as if she were wary of giving too much in this veryheavy role. {} Listen to your favorite songs from Aida by Aprile Millo, Plcido Domingo, Dolora Zajick, Samuel Ramey, James Morris, Metropolitan Opera Orchestra, James Levine Now. .. Why no follow-ups? But she believes her debt to them is largely genetic: "I really think you are born with it; of course, you have to encourage it along . "I didn't like it very much," says Millo, expressing a distinctly minority opinion. Vocal cords are the 2 folds of tissue inside your larynx, also called the voice box. Other times, the person may not be able to speak. WOOLFE I dont like speculating about what artists are feeling, but I can imagine that, after so many years away, she was a little nervous, to say the least. Filled with lots of pictures and music. I hate to use the word 'power,' but you really have to develop box office power, and that translates into artistic power," Millo says. Its not about voice; the voice has been functioning, she insisted in an interview after the rehearsal. His role as a voice reclaimer is more elusive. Mayo Clinic is a not-for-profit organization. She is like every gifted artist: full of issues, full of fears, Mr. Epstein said. During these years, she accepted second billing only once, while also leaving Verdi for a rare visit to Puccini, when she sang Liu in "Turandot." Air moving through the voice box causes the vocal cords to vibrate and brings them closer together. Clinical Geriatric Medicine. But I think the lack of selling tickets for the 3Ts is more areflection of the Houston population in general just not knowing aboutthese 3 guys, than it is a comment on them. At times, the voice may sound normal. For me, the longtime artist manager and administrator Matthew Epstein said, she was one of two female singers, what [the conductor Tullio] Serafin used to call vocal miracles, at the end of the 20th century: Borodina the Russian mezzo-soprano Olga Borodina and Aprile Millo., Aprile was a unique vocal phenomenon, Mr. Epstein said. It's a typically Japanese venture, and I say that with great respect. From there on, colleagues and great singers alike spoke of their delight in her throw back performances to a time when voice reigned supreme above all. She does not regret missing out on the Puccini heroines such as Mimi in "La Boheme" and Madame Butterfly, which require a very different kind of voice and personality. Air moving through the voice box causes the vocal cords to vibrate and brings them closer together. Sometimes the problem goes away with time. . I needed to have it done.". x x x. Advertising revenue supports our not-for-profit mission. Masks are required inside all of our care facilities, COVID-19 testing locations on Maryland.gov. What causes hoarseness? A new opera is written only once in a very great while. But there are hundreds of singers singing every night, in dozens of cities around the world. But who cares? Costello wouldn't have dreamed of scheduling a tonsillectomy without his intensive input. And also during the late 80's, no one was better at the big Verdirarities she undertook - I Lombardi, and especially La Battaglia diLegnano, as well as the standard fare of Luisa Miller and Trovatore -then it seemed to me too many Maddalenas followed and the voice began tolose its bloom - there was an uncertain Aida from Chicago, and a Simoneat the Met that also showed problems - and during a televised Pavarotti+ concert, she dodged the two sustained B flats in the Ernani trio. I know he was good (if notthe best) in his day, but I don't think any other operasinger has ever had that effect on the public before. That debut launched her amazing career, as critics hailed her as a a new Verdi star. With the Met Opera as her home for over 20 years, Millo would go on to perform and triumph at the major opera houses worldwide. The opening had been successful. This recital was an emotional, personal and musically wonderful part of Millos incredible legacy. But it hadnt, and hasnt at least not if Ms. Millo has something to say about it. (3 Tenors plus 6 echos) The Minister for Consumer Affairs in New SouthWales has offered assistance to residents in that state getting arefund on their tickets from the state of Victoria. Among the fiercely opinionated opera fans who were the companys grass roots, she swiftly became so beloved that the stage-right column in the Mets Orchestra-level lobby is still known by some as the Millo pole, where youd rush at intermission to kibitz about her performances. [Can the diva who once ruled the Met make a comeback?]. She said at the start that she wanted the audience to feel like this was an evening at her home, in her living room and the relaxed, even joyous feeling inside the concert hall had that intimate feeling. They did the Cavalleria Rusticana duet, Ms. Millo said, and they were no longer Mom and Dad.. Accompanied by Inseon Lee on piano, Millo will perform a wide-ranging program consisting of songs by Bellini, Tosti, Liszt, Donaudy, Rachmaninoff, and Wagner, as {} She offered another tribute, to old-school italianit, with a spirit-seeing monologue from Licinio Refices Cecilia, a vehicle for the great soprano Claudia Muzio. A 532-nm KTP laser for vocal fold polyps: Efficacy and relative factors. Stay rested, drink plenty of water, use a microphone, warm up your vocal cords, dont smoke, learn proper breath flow, and seek care when there are changes to the voice quality. A deviated septum temporarily changed her hearing, making her, she said,. Ma J, et al. 14 seasons straight as the leading Verdi soprano of the Italian wing, From there on, colleagues and great singers alike spoke of their delight in her throw back performances to a time when voice reigned supreme above all. It was a voice that thrilled the Metropolitan Opera through the 1980s and 90s, when Ms. Millo was among the houses reigning divas: the grandly emoting star of new productions, opening nights and TV broadcasts opposite Plcido Domingo and Luciano Pavarotti. So no, I didnt think that opening set really bloomed vocally. This content does not have an Arabic version. The surgery was done July 15 in New York City; the first day of Met rehearsals was Aug. 22. BARONE These tributes throughout the night were reminders of Ms. Millos former colleagues and another time, when she was the diva du jour at the Met Opera and accumulating the passionate fan base we saw screaming in support of her on Wednesday. Millo returned to New York in January of 2019 for her debut with the NYCO in Recital to a sold out cheering audience at Zankel Hall at Carnegie Hall and critical acclaim. But I want to actually show up looking correct. https://www.nytimes.com/2019/01/29/arts/music/aprile-millo-met-opera-new-york-zankel.html. Accessed Aug. 30, 2022. This performance marks her first concert in the city in nearly a decade. And at the end of Danny Boy the audience, already lost to their love of the concert and the singer, rose to their feet, again with more stomping, whistles, the recital turned into full-on celebration. The Digital home of legendary opera singer Aprile Millo. WWTeam OS/2 Cincinnati & PROUD OF IT! It seems Pavarotti has always had an appealto the non-opera-going crowd. >What bothers you so much about *looking* at Millo? ", For the voice that has brought her to the top of her field, she acknowledges a debt to her parents. Possessing a spinto voice of power, warmth and temperament, Millo became one of the most celebrated opera singers of the late twentieth century. ", Getting to that point, though, required a battery of people - his parents and his wife, soprano Ailyn Perez, plus voice teacher Bill Schuman, who is on the Academy of Vocal Arts faculty and is known as not only a major voice builder but also a voice reclaimer. But when? . Learn more: Vaccines, Boosters & Additional Doses | Testing | Patient Care | Visitor Guidelines | Coronavirus. Ms. Millos singalong encore also featured, from left, Christopher Collins Lee (violin), Inseon Lee (piano) and Merynda Adams (harp). But their love is thwarted when his father, King Philip II (Samuel Ramey), marries her himself. Your voice is the sound that air makes when it is forced out of your lungs and passes over your vocal cords. Anyone can read what you share. Yeah, I think all the glitter and appeal of the 3 tenorsis about over. Soprano Aprile Millo will present a Nov. 17 concert with the Opera Orchestra Of New York. Mayo Clinic on Incontinence - Mayo Clinic Press, NEW The Essential Diabetes Book - Mayo Clinic Press, NEW Ending the Opioid Crisis - Mayo Clinic Press, FREE Mayo Clinic Diet Assessment - Mayo Clinic Press, Mayo Clinic Health Letter - FREE book - Mayo Clinic Press, Mayo Clinic Graduate School of Biomedical Sciences, Mayo Clinic School of Continuous Professional Development, Mayo Clinic School of Graduate Medical Education, Book: Mayo Clinic Family Health Book, 5th Edition, Newsletter: Mayo Clinic Health Letter Digital Edition, Science Saturday: Bioengineering vocal cords, Minnesota man takes shot at getting his voice back, Science Saturday: Regenerating damaged vocal cords. I was hiding behind three chairs the night the 'Aida' was shown on television." These may include: Treatment for a voice disorder depends on what's causing it. Know the reason for your visit and what you want to happen. I mean, afterRichard Tucker and Leontyne Price, why would any aspiring Verdi singer_need_ to take on an Italianate name if s/he didn't already have one? I have to have an affinity for music before I can sing it. Vocal fold paralysis. ", And American composers such as Samuel Barber and Dominick Argento: "Not now; maybe later. Schuman smiles at the thought. Stream ad-free with Amazon Music Unlimited on mobile, desktop, and tablet. Ms. Millo at her last New York recital, in 2009. Check out these best-sellers and special offers on books and newsletters from Mayo Clinic Press. There was a Tosca performance, Ms. Millo recalled, and I left the stage, and I fully expected to see the Palazzo Farnese when I went through the door. And when, in that aria, the silence was broken, her voice again soared, filling the acoustic gem that is Zankel Hall with her lush soprano. Sort of. That will be in May, when she records "Aida" for the new CBS/Sony label with a set of colleagues that she considers ideal: tenor Placido Domingo, mezzo-soprano Dolora Zajik and Met artistic director James Levine conducting. "The last two years, I've been on a treadmill, but I try to find time to relax.". And let's not EVEN get into a discussion of pronunciation. After winning several European vocal competitions including ones in Bussetto and Barcelona, Millo was propelled to fame in 1982 as a replacement for an ailing Mirella . It set into motion in quick succession an audition for Leone Magiera and Riccardo Muti. At one point an audience member asked Millo to lower her music stand so they could see her face as she sang. A big, exuberant man who is always catching trains and planes to hear his students, Schuman talks about his own tenor training as the basis of his work, and about turning the page on that part of his life to give himself completely to teaching. Thank you. In some cases, the cause of a voice disorder is not known. Schuman also hears potential. But I think God is moving me toward it.. I don't think it's really meant for a huge voice. Recording. 2018; doi:10.1016/j.cger.2018.01.010. Its so perfect, it makes you want to cry, the soprano Aprile Millo said, her eyes getting moist just thinking about it. He not only builds voices, he reclaims them. The singer made her historic debut at the Metropolitan Opera as Amelia in Verdis Simon Boccanegra,on December 1984, as a last-minute replacement. Sobre ns; Vantagens de Membros; Estatutos; Regulamento Interno; Equipa; PROJECTOS Aprile Millo was born in New York City, the daughter of two opera singers, tenor Giovanni Millo (John Hamill) and soprano Margherita Girosi. And Millo sang someperformances that she really should have cancelled. Most people would be content to hide behind only one chair during their {videotaped} television debut in the most spectacular of Italian operas. Over 15 different roles of opera over a nearly 25 year career at the Met. >And, while we're at it, if she bothers you so much, why don't you just>forget about her? American Academy of Otolaryngology Head and Neck Surgery. One of opera's great heartbreaks was tenor Hadley. Although she has performed at many of the world's leading opera houses and with many orchestras and ensembles internationally, Millo has spent much of her career appearing in productions at the Metropolitan Opera. Millo sought out, worked with and became great friends to, Renata Tebaldi, Zinka Milanov, and Licia Albanese, Keenly aware of the need to pass on to new generations of singers who are being shoved to the back of the opera world, Madame Millo was approached by, Comune di Busseto, Italy, the Casa Verdi, Casa Barezzi and Foundation Renata Tebaldi-Museo, Official Summer Program for Verdi's city of Busseto. Although, at her request, there was no photographer present, she was fully made up and wore a close-fitting black dress, ready to face any challenge on a moment's notice. When opera star Stephen Costello needed a tonsillectomy, Academy of Vocal Arts teacher Bill Schuman was at his side. >I'm not trying>to be mean, really, but so much is said about singers (many of >whom I've never>heard) and so little about anything else. It's deepening," remarked retired soprano Renata Scotto after hearing a rehearsal. Keenly aware of the need to pass on to new generations of singers who are being shoved to the back of the opera world, Madame Millo was approached byDr. Maria Vetere, who had been asked to help form a summer program for Mime. That great soprano's final years were marred by vocal problems that Schuman believes could have been successfully addressed. Iremember when I first heard her Aida, in the mid 80's, thinking, this isthe way Tebaldi wished she could have sung Aida, but her voice was justnot secure enough to do the role more than a few times, and she gave itup. Like a cabaret singer, she blended Irish-American family history and song The Kerry Dance was even more moving because Ms. Millo said her mother used to sing it to her at night. She has given master classes and been generous with guidance for young singers, and has appeared in concert here and there. That kind of narrows thepractical venues down a bit, n'est-ce pas? An hour-long conversation with Millo in her suite at the Watergate dissolves legends and backstage gossip about a demanding temperament, abrasive personality and mysterious, eccentric family background. My mother and father were both singers. Big roles beckoned in Europe, too. On December 3, 1984, Millo made her Metropolitan Opera debut replacing an ailing soprano as Amelia in Verdi's Simon Boccanegra with James Levine on the podium. [9], On April 4, 1986, Donal Henahan wrote in The New York Times of Millo's performance in Don Carlo: "Miss Millo sounds more and more like the Verdi soprano we've been waiting for.". I can stand listening to heras long as I don't also have to look at her. Although she has performed at many of the world's leading opera houses and with many orchestras and ensembles internationally, Millo has spent much of her career appearing in productions at the Metropolitan Opera . Mr. Gelb, who started at the Met in 2006, said, Over the course of my tenure, Ive received an occasional email from her, that shes working toward getting back to singing and shell let me know when shes ready., I feel that theres still opera in her, said Robert Lombardo, a veteran artist manager. I took my contacts out and pretended they weren't there. Many singers (and other performers) change their names for professionalpurposes; often this change is suggested by an agent or manager. I have to say I'm no big fan of Broadway show tunes. Millo's father, tenor John Hamill, who also used the name Giovanni Millo, sang at the New York City Opera in the 1940s. I think they need a local population of at least 10 million tobe assured of drawing a crowd of 50,000. That same year, she performed Maddalena in Andrea Chnier with Luciano Pavarotti in his debut in the title role. I want to have a good last act. I dont want to offer excuses. While she was waiting for the Met to shape up and do things her way, Millo also sang two of Verdi's more seldom-heard operas, "I Lombardi" and "La Battaglia Di Legnano," as well as Giordano's "Andrea Chenier" in Carnegie Hall concert performances. In November 1982, Millo made her European debut as Aida at the Badisches Staatstheater Karlsruhe in Karlsruhe, Germany, and in December at La Scala as Elvira in Ernani when she replaced soprano Mirella Freni who had taken ill. Most of my friends are very down-to-earth people; a lot of them are performers themselves and know the pitfalls. . Unanimously winning Primo Premio Grand Prize at the Concorso Voce Verdiane at 20 years old, she was . The art form in her household was always wrapped up in transformation. That's not usual for him. I think it's because >men are such>big gossips, what do you think?>>Just wondering.>. She went on to sing for 14 seasons straight as the leading Verdi soprano of the Italian wing, and last was heard making a role debut in La Gioconda and a return to Andrea Chenier and Tosca in 2006. After an absence of ten years from the stage in New York, New York City Opera presented Millo in a 2019 recital in Carnegie Hall. Treatment depends on what's causing the voice change. [citation needed], Millo's debut recording in 1986 was Presenting Aprile Millo with the London Symphony and Giuseppe Patan. You spend a lot of money on costumes and scenery, and then you divide attention with a piece of paper at the top of the proscenium. Buteverything I read these days indicates he's got havingproblems vocally now. And while everyone probably knows the song Danny Boy, imagine it performed by such an expressive soprano, the sound swelling with the bittersweet lyrics and maintaining the pieces melancholy balance between a mere whisper to a stunning fortissimo. He canceled the second and third performances. And yes, I do know thereis a Houston Grand Opera. I would like to salute that house one more time, she said. . I think it's because it's a subject where there's always something new to say. It can make the voice sound tight, quivery, or jerky, hoarse, or groaning. [citation needed]. "I'd like to have a baby -- very much," she says seriously. Pronunciation of aprile with 2 audio pronunciations, 1 meaning, 14 translations, 7 sentences and more for aprile. Her Cielo, mio Padre! from Act three, sung with the powerul bass-baritone Amonasro of Kevin Short, reminded us all why she was truly the Verdi soprano of those decades, and what a gift it must have been to have seen her Aida with good friend, Luciano Pavarotti. And brava for that. Millo, who has been engaged to sing the title role of "Aida" for the Washington Opera twice a week through March 10, has become a cult figure among opera fanatics in the past few years. WOOLFE I also thought there was steady passion in a set of Rachmaninoff songs, which she dedicated to the Russian baritone Dmitri Hvorostovsky, who died in 2017. While in the Met's program she worked with Dick Marzollo and then only with David Stivender and Rita Patan. >Verdi singer_need_ to take on an Italianate name if s/he didn't already have one? But now the sky is the limit, not only at the Met but wherever in the world the operas of Verdi are sung. But do the words "gravy train" pop into your mind as well? ", And Wagner: "The voice has power but it's not a Wagnerian instrument. BARONE Her charisma certainly goes far, even if the banter pushed the evening to just over two and a half hours. Her performance of To del mio amato ben by Donaudy was a masterclass in phrasing, and the singer, with near echoes of Verdis Act four Desdemona in Otello, soared during key passages, revealing that the decades have not removed Millos ability to move an audience with sheer power and beauty. Some singers inspire that kind of thing; Callas did; Farrar did, a long time ago. Before your visit, write down questions you want answered. In 1978, two years fresh from graduating Hollywood High School she did. "They distract from the performers' ability to weave the story, to make it believable and make it understood. And all of us who remembered what it was supposed to sound like love her very much for that., Not everyone was on board. Know why a test or procedure is recommended and what the results could mean. I want to end nicely. Many factors can lead to a voice disorder, such as: Mayo Clinic does not endorse companies or products. American Academy of Otolaryngology Head and Neck Surgery. https://www.nidcd.nih.gov/health/vocal-fold-paralysis. To go to that world that transfigured her Mother and Father's face. Be nice. There is clearly an audience hungry for her charm, her phrasing, her sincerity, the community shes gathered around her. "I don't remember ever not wanting to be an opera singer," she says. I get your point, but Price's first name is Mary (Violet and Leontyne are her middle names), and Tucker's name was originally Reuben Ticker. Because it has great spirits and a need for something that is a little bit demented., I dont want it to end with: She was great and she was on the scene; whered she go? she added. An invitation to sing came from a great colleague, mezzo-soprano Gail Dubinbaum, for Elisabeth Schwarzkopf who immediately brought her to sing for the great Maestro Herbert Von Karajan. I was truly there., She had triumphs through the Verdi canon Don Carlo, Il Trovatore, Aida, Otello, Un Ballo in Maschera, Luisa Miller as well as in Tosca and Andrea Chnier.. Millo not only knows what she wants, she knows what she cannot have: the many kinds of singing she must bypass while she focuses on being the Verdi soprano of her generation.